Bonang
A set of small tuned kettle gongs resting horizontally on a wooden frame, played with two padded sticks. It elaborates the melody rather than stating it.
Terms, definitions, context, variants, usage examples, and references from diverse East Javanese cultural communities.
A set of small tuned kettle gongs resting horizontally on a wooden frame, played with two padded sticks. It elaborates the melody rather than stating it.
The largest and lowest metallophone of the saron family, with broad bars and a heavy mallet.
A xylophone with wooden bars spanning several octaves, played with two flexible mallets in rapid parallel octaves.
A metallophone of thin bars over tube resonators, played with two disc-shaped mallets in interlocking patterns, one hand damping while the other strikes.
The great hanging gong, struck at the close of the longest cycle. Its stroke marks the boundary of musical time and is treated with ceremonial respect.
A smaller hanging gong, or set of them, struck within the cycle to mark subdivisions between the great gong strokes.
A double-headed drum played with the hands, which sets the tempo, signals changes of density, and brings the piece to its end. Its player leads the ensemble.
A large kettle gong resting horizontally in its own frame, struck to divide the cycle into equal parts.
A small kettle gong with a dry, damped sound, struck on the offbeats to keep the inner pulse of the cycle.
The smallest and highest metallophone of the saron family, which doubles the melody at speed.
The carved wooden frame that holds the bars or kettles of an instrument. Its decoration marks the status of the set it belongs to.
A two-stringed bowed spike fiddle. Not fixed to the tuning of the bronze, it leads the melody and sets the pitch for the singers.
A metallophone of thick bronze bars over a trough resonator, struck with a wooden mallet and damped by the free hand. It carries the core melody.
A plucked zither with strings on both faces of a box resonator, played with the thumbnails while the fingers damp.
A metallophone of thin bronze bars suspended over tuned tube resonators, sounding an octave below the saron with a sustained, soft tone.
An end-blown bamboo ring flute, which floats free of the ensemble pulse and fills the spaces in the melody.
The carved wooden mask of the Malang tradition, whose colour, brow and mouth fix the character before the dancer has moved.