Bonang
A set of small tuned kettle gongs resting horizontally on a wooden frame, played with two padded sticks. It elaborates the melody rather than stating it.
Terms, definitions, context, variants, usage examples, and references from diverse East Javanese cultural communities.
A set of small tuned kettle gongs resting horizontally on a wooden frame, played with two padded sticks. It elaborates the melody rather than stating it.
The largest and lowest metallophone of the saron family, with broad bars and a heavy mallet.
A xylophone with wooden bars spanning several octaves, played with two flexible mallets in rapid parallel octaves.
A traditional Javanese musical ensemble consisting of instruments such as gongs, kenong, saron, bonang, and others.
A demonstration entry showing how a single lexicon entry can simultaneously include image, audio, video, and 3D model representations. This is not a final scholarly record and is used…
The Javanese gamelan ensemble: a tuned set of bronze percussion instruments, together with drum, bowed and plucked strings, and flute, treated as a single instrument owned and tuned…
A metallophone of thin bars over tube resonators, played with two disc-shaped mallets in interlocking patterns, one hand damping while the other strikes.
A composed piece of karawitan, identified by its melodic skeleton, its cycle length, its tuning and its mode rather than by a fixed score.
The male chorus of karawitan, singing in unison in fixed passages, in contrast to the free line of the solo singer.
The great hanging gong, struck at the close of the longest cycle. Its stroke marks the boundary of musical time and is treated with ceremonial respect.
The art of Javanese gamelan music: an ensemble practice governed by tuning system, mode, and a repertoire of composed pieces, performed on its own or as accompaniment to dance and…
A smaller hanging gong, or set of them, struck within the cycle to mark subdivisions between the great gong strokes.
A double-headed drum played with the hands, which sets the tempo, signals changes of density, and brings the piece to its end. Its player leads the ensemble.
A large kettle gong resting horizontally in its own frame, struck to divide the cycle into equal parts.
A small kettle gong with a dry, damped sound, struck on the offbeats to keep the inner pulse of the cycle.
A tuning system: the set of pitches a gamelan is tuned to. Two are in use, and instruments of one cannot be played with the other.
A gamelan player. The role carries an etiquette of its own: how to sit, how to enter a piece, and when not to play.
The modal system within a tuning: which tones may end a phrase, which are avoided, and where in a night-long performance a piece belongs.