Gender
A metallophone of thin bars over tube resonators, played with two disc-shaped mallets in interlocking patterns, one hand damping while the other strikes.
Terms, definitions, context, variants, usage examples, and references from diverse East Javanese cultural communities.
A metallophone of thin bars over tube resonators, played with two disc-shaped mallets in interlocking patterns, one hand damping while the other strikes.
A composed piece of karawitan, identified by its melodic skeleton, its cycle length, its tuning and its mode rather than by a fixed score.
The male chorus of karawitan, singing in unison in fixed passages, in contrast to the free line of the solo singer.
The great hanging gong, struck at the close of the longest cycle. Its stroke marks the boundary of musical time and is treated with ceremonial respect.
A refined young nobleman of the cycle, brother of the heroine, whose dance is lighter and quicker than the hero's.
The art of Javanese gamelan music: an ensemble practice governed by tuning system, mode, and a repertoire of composed pieces, performed on its own or as accompaniment to dance and…
A month and major ritual cycle in Tengger culture, culminating in offerings made at the crater of Mount Bromo.
A smaller hanging gong, or set of them, struck within the cycle to mark subdivisions between the great gong strokes.
A double-headed drum played with the hands, which sets the tempo, signals changes of density, and brings the piece to its end. Its player leads the ensemble.
A large kettle gong resting horizontally in its own frame, struck to divide the cycle into equal parts.
A person of Malang: literally "Malang youngster", from arek, "child" or "youngster", reversed. Used as a claim of belonging rather than as a description of age.
A small kettle gong with a dry, damped sound, struck on the offbeats to keep the inner pulse of the cycle.
The foreign king of the cycle, who desires the princess and is defeated. Danced in the strong style, in a red mask with bulging eyes.
A tuning system: the set of pitches a gamelan is tuned to. Two are in use, and instruments of one cannot be played with the other.
A friend, from kawan reversed. Often extended to nawak ewed, "our own friend", for someone inside the circle.
Malang, the city, with its letters reversed. The most widely used word of the reversed speech, and the one outsiders learn first.
A gamelan player. The role carries an etiquette of its own: how to sit, how to enter a piece, and when not to play.
A spouse or partner, from bojo reversed.