Ayas
An expression that people in Malang usually use in daily communication to call our him/her self.
Terms, definitions, context, variants, usage examples, and references from diverse East Javanese cultural communities.
An expression that people in Malang usually use in daily communication to call our him/her self.
A commanding, coarse-mannered character of the cycle, danced with wide stance and abrupt accents; also the name of that movement style.
The opening dance of a Malangan performance, danced before the story begins to greet the audience and mark the ground.
A set of small tuned kettle gongs resting horizontally on a wooden frame, played with two padded sticks. It elaborates the melody rather than stating it.
A language variety based on reversing sounds or word forms, developed as a marker of community identity in Malang.
The reversed speech of Malang: everyday words spelled backwards and spoken as ordinary vocabulary. It began as a code among fighters in the revolution and became a mark of belonging…
A familiar form of address for men, especially in Arekan cultural settings.
The Panji cycle: an East Javanese body of stories about a prince and princess separated, disguised, and reunited, which supplies the plots of the masked theatre.
The largest and lowest metallophone of the saron family, with broad bars and a heavy mallet.
The heroine of the cycle, princess of Kediri, whose separation from and reunion with Panji drives the story.
The narrator of the masked theatre, who speaks the dialogue for the masked dancers, cues the ensemble, and holds the shape of the whole night.
A xylophone with wooden bars spanning several octaves, played with two flexible mallets in rapid parallel octaves.
A traditional Javanese musical ensemble consisting of instruments such as gongs, kenong, saron, bonang, and others.
A demonstration entry showing how a single lexicon entry can simultaneously include image, audio, video, and 3D model representations. This is not a final scholarly record and is used…
The Javanese gamelan ensemble: a tuned set of bronze percussion instruments, together with drum, bowed and plucked strings, and flute, treated as a single instrument owned and tuned…
The gamelan ensemble used for the Malangan masked theatre, harder-driven and more drum-led than the court style it grew from.
A distinctive Banyuwangi dance and performance tradition that developed as an expression of gratitude and Osing cultural identity.
A young male dancer in performances. Gemblak refers to a young male dancer who traditionally accompanied a warok in Reog Ponorogo performances, taking the role of the jathil, a horse-riding…